| Paintings and mosaics in Pompeii and Ercolano: |
Nile scene

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These
two scenes were part of the decoration on the inner facing of
the podium surrounding the House of the Doctor VIII 5,24,
together with the third famous element portraying the so-called
Judgement of Solomon, which the Egyptian tradition, in
attributing Pharaoh Bocchoris with the gift of wisdom, regarded
as a familiar episode. Nevertheless, the main characters in this
scene, which was to be found in the central section of the
podium and which had a cuspidate frame, are all pigmies involved
in a fierce battle against crocodiles and hippopotami; this was
a common theme in this type of representation, be they paintings,
mosaics or terracotta, and the scene continued over into the
next panel, although this time the main subject was a relaxing
banquet.
Pigmies had already been depicted in ancient art in scenes
showing them battling against cranes, their traditional foe, but
were adopted by the Hellenistic age as symbols of a potential
and even normal reality, both grotesque and humoristic, on the
frontiers of the exotic Egyptian world along the banks of a
river that was the only link with a world that was indeed
populated with Negro and pygmy races.
The clash with the evil beasts takes place in the waters of the
Nile amongst natural islets and artificial platforms, such as
the one in the foreground upon which stands an elegant
statuarium with sacelli adorned with statues. While a pygmy
attempts to drive away a crocodile by waving some
threatening-looking but unidentifiable objects at it, on the
opposite side of the river another fellow has managed to capture
one of the reptiles and with the help of three companions on the
bank is trying to steer it towards them. Off shore, a
hippopotamus has been speared by a pygmy sitting astride its
back, and has managed to capsize the small boat containing
another four natives, and has set about devouring one of their
number. The crew member who has remained aboard is holding his
hands up despairingly, while another lies wounded in the water
and another again is seen swimming off. In the background a
rowing-boat with square sail containing what appear to be
normal-size people is shown moving rightwards, and mud huts with
thatched roofs complete the scene.
The other scene also takes place in the open air on the banks of
river. We can see a boat with ass-headed prow, full of wine-jars,
containing two pygmies armed to the teeth with helmets, shields
and spears. A hippopotamus is coming out of the water devouring
a pygmy despite vain attempts to save him made by a companion
wearing a conical hat who is trying to pull his unfortunate
friend from the jaws of the beast, and who, in turn, is being
helped by another pygmy who is sitting on the animal beating it
with a jug which he has presumably taken from the banquet table
nearby. In the shade of a canopy stretched among the trees, we
can see a triclinial bed on which are sitting or lying five
pygmies, all facing the centre where there is a round table with
recipient. Next to this is a couple embracing to the sound of
pipes played by a pygmy sitting nearby; the woman is wearing on
her head a garland of flowers typical of banquets. From the
right hand side we see a small dancing procession made up of a
pygmy in a short tunic waving a baton, followed by an ibis, and
then two more figures again holding batons but this time wearing
long tunics; they might be women, as are the last two characters
in the group who can be seen chatting serenely on the edge of
the picture, which is bordered by a building with long wall with
arrow-slits.
Bibliography: NSc. 1882, pp.322-323; EAA s.v. Pigmei; K.
Schefold, Vergessenes Pompeji, 1954 pp. 77-78, 154-155; Pompeii
AD79, Cat. Boston, p. 87 n.89
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Fonte: MANN
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